<< DVD5 Lee Scratch Perry - The Unlimited Destruction
Lee Scratch Perry - The Unlimited Destruction
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FormatDVD5
SourceRetail
LanguageNo subtitles
GenreMusic
TypeMovie
Date 1 decade, 4 years
Size n/a
 
Website http://en.wikipedia.org/wiki/Lee_%22Scratch%22_Perry
 
Sender TaperWilly
Tag Reggae
 
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Review By: Rich Rosell   
Published: November 19, 2002

Stars: Lee Scratch Perry
Director: Ludo Timmermans

MPAA Rating: Not Rated for (occasional spliff toking)
Run Time: 48m:50s
Release Date: August 20, 2002
UPC: 649035000694
Genre: documentary
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Lee Scratch Perry may not be exactly a household name, but in the world of reggae music he is one of the most influential and respected record producers and recording artists around. From the 1960s through today, Perry has continually put his creative production mark on a number of highly regarded reggae releases, including some monumental work with Bob Marley and The Wailers in the early 1970s. This 1991 European-made documentary from Ludo Timmermans, running a scant 48 minutes, takes what could&#151;and should&#151;have been a truly fascinating piece, and sadly spits out not much more than an incomprehensible string of mostly unintelligible soundbites.

The problem is twofold; Perry"s thick-as-molasses yet rapid Jamaican patois is all but impossible to decipher more than a few words here and there, and a complete absence of subtitles of any kind compounds this frustration. I don"t fault Perry"s language (that"s the way he speaks, deal with it), but I can"t imagine why this disc couldn"t be outfitted with some type of subtitle function; without that option, Lee Scratch Perry: The Unlimited Destruction is simply a blurry, hit-or-miss audio minefield.

The documentary was largely shot in Switzerland (Perry"s current home), and we see the producer, bedecked in some dazzlingly gaudy bling-bling that would make any rap star envious, moving an assortment of plants around his garden and expounding long, hard to understand rambles. As a rule, I can usually get into the flow of a heavily-accented voice eventually, but with Perry it was pretty much a lost cause. I repeatedly replayed segments, listening intently, and I still had trouble picking out more than a word or two here or there. This made following the flow and content of this narration-free film a challenge that I just couldn"t conquer.

This is all about music, ultimately, and Timmermans has graciously wallpapered his film with a steady stream of Perry-manipulated reggae. Songs from a wide range of artists (such as Marley, Flying Sensation, The Soulettes) fill every *** and crevasse, enough so that a soundtrack disc would be a no-brainer required purchase for any fan of reggae. In fact, if this disc had an isolated music track I could have overlooked the difficult to understand Perry in favor of simply enjoying his creations.


Feel the vibes

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