Post Description
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Talking Heads - Fear of Music
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Artist...............: Talking Heads
Album................: Fear of Music
Genre................: Pop
Source...............: DVDA / Rhino 2005
Year.................: 1979
Codec................: Free Lossless Audio Codec (FLAC)
Channels.............: Stereo / 96Khz / 24 Bit
Covers...............: YES
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Tracklisting
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1. "I Zimbra" (David Byrne, Brian Eno, Hugo Ball) 3:09
2. "Mind" 4:13
3. "Paper" 2:39
4. "Cities" 4:10
5. "Life During Wartime" (David Byrne, Chris Frantz, Jerry Harrison, Tina Weymouth) 3:41
6. "Memories Can't Wait" (David Byrne, Jerry Harrison) 3:30
7. "Air" 3:34
8. "Heaven" (David Byrne, Jerry Harrison) 4:01
9. "Animals" 3:30
10. "Electric Guitar" 3:03
11. "Drugs" 5:10
Total Size...........: 934 MB
NFO generated on.....: 23/06/2011 19:53:25 PM
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By titling their third album Fear of Music and opening it with the African rhythmic experiment "I Zimbra," complete with nonsense lyrics by poet Hugo Ball, Talking Heads make the record seem more of a departure than it is. Though Fear of Music is musically distinct from its predecessors, it's mostly because of the use of minor keys that give the music a more ominous sound. Previously, David Byrne's offbeat observations had been set off by an overtly humorous tone; on Fear of Music, he is still odd, but no longer so funny. At the same time, however, the music has become even more compelling. Worked up from jams (though Byrne received sole songwriter's credit), the music is becoming denser and more driving, notably on the album's standout track, "Life During Wartime," with lyrics that match the music's power. "This ain't no party," declares Byrne, "this ain't no disco, this ain't no fooling around." The other key song, "Heaven," extends the dismissal Byrne had expressed for the U.S. in "The Big Country" to paradise itself: "Heaven is a place where nothing ever happens." It's also the album's most melodic song. Those are the highlights. What keeps Fear of Music from being as impressive an album as Talking Heads' first two is that much of it seems to repeat those earlier efforts, while the few newer elements seem so risky and exciting. It's an uneven, transitional album, though its better songs are as good as any Talking Heads ever did. ~Allmusic
The album was re-released in 2005 as a remastered DualDisc. The DVD-A side includes both stereo and 5.1 surround high resolution (96 kHz/24bit) mixes, as well as a Dolby Digital 5.1 version of the album. In Europe, it was released as a CD+DVDA two disc set rather than a single DualDisc. The reissue was produced by Andy Zax with Talking Heads.
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