Post Description

April Wine - 1984 - Animal Grace (2008 remastered)
 covers | MP3 CBR 320 Kbit/Sec (preset insane) | 90 Mb
Unidisc / Aquarius Q2-6535

Hard Rock/ Heavy Metal / Pop-Rock

April Wine formed in late 1969 in Halifax, Nova Scotia, but vocalist/guitarist Myles Goodwyn, guitarist David Henman, drummer Ritchie Henman and bassist Jimmy Henman soon moved to Montreal. "Fast Train," their first hit, appeared in 1971, the same year as the self-titled debut album. Jimmy Henman left soon after and was replaced by Jimmy Clench. The next year brought the band's first Canadian number one single, "You Could Have Been a Lady," from On Record. David and Ritchie Henman left before the next album, Electric Jewels, could be recorded; they were replaced by Jerry Mercer and Gary Moffet. After April Wine Live (1974) and Stand Back (1975), Steve Lang replaced Clench, who left to join Bachman-Turner Overdrive and later Loverboy. In 1976, The Whole World's Goin' Crazy became the first Canadian album to go platinum and their resulting tour was the first to gross one million dollars. Forever for Now appeared in 1976, followed by April Wine Live at the El Mocambo in 1977. Guitarist Brian Greenway was added that same year, making the band a sextet. After 1978's First Glance and 1979's Harder...Faster, "Just Between You and Me" became April Wine's biggest U.S. hit. The single (one of three Top 40 American singles by the band) propelled 1981's Nature of the Beast to platinum-record status. Power Play followed in 1982, and 1984's Animal Grace was their last album. Myles Goodwyn recorded his first self titled solo album in 1988. Four years later, all the original members joined for a Canadian tour, which convinced them to resume recording. "If You Believe in Me," the band's first single in eight years, was followed by 1993's Attitude.

Setting the stage for the final phase in the sputtering glory period of Montreal celestials April Wine, Animal Grace stealthily practiced commercially competent clod rock but distinguishably disappeared without a trace. Leadoff "This Could Be the Right One" escapes the fate of ad infinitum wussy ballads via a brisk tempo and cynical lyrics. The herky-jerky "If Money Could Talk" breaks with one of those great yuppie funk moves isolated to the '80s. The dead-on-the-vine vintage Wine pumping out "Gimme That Thing Called Love" invokes a glorious but extinct custom of quaintness and Quaaludes. Uber AOR producer Mike Stone co-writes the downright great "Hard Rock Kid" who cooly cooks in the spotlight ("Leave him alone, he's in the hard rock zone"). Weirdo "Sons of the Pioneer" sported a silly video, dressing the boys in some crazy Hoth threads. Like Loverboy, Canuck kings of frat rock, the April Wine muscle machine was running out of steam and about to be displaced by handyman Bryan Adams' installation of Canadian Hartland into the American consciousness. But even this late in the game, Myles Goodwyn and company are good for a few choice cuts. The celebrated three-guitar lineup long gone, the rest of the band (included bald dynamo Jerry Mercer on the skins) dissipated after this release, due to Goodwyn's dictatorship. Nobody ever expected April Wine to achieve so darn much in rock's vicious game anyway.

Tracklist:

1. This Could Be The Right One (4:16)
2. Sons Of The Pioneers (5:33)
3. Without Your Love (4:50)
4. Rock Tonite (4:58)
5. Hard Rock Kid (3:57)
6. Money Talks (3:28)
7. Gimme That Thing Called Love (5:02)
8. Too Hot To Handle (5:05)
9. Last Time I'll Ever Sing The Blues (4:48)