Post Description
U2
Philips Arena
Atlanta, Georgia
March 30, 2001
Drew's Dub (3-Source Matrix)
Adobe Audition 3.0 FLAC8
Sources:
1:Soundboard > CDR > FLAC
2:IEM (Unknown Equipment-Lineage, verified Lossless)
3:SP-AT853 cardioid> Sony MD MZ-R55> MD> Tascam MD301 MkII(digital out via toslink)>Sony CDRW 33>EAC>Sound Forge 4.5>CD WAV>mkw>SHN> FLAC Taper: Drew S.(not me)
Tracklist:
01 Elevation
02 Beautiful Day
03 Until The End Of The World
04 New Year's Day
05 Bono Speech
06 Stuck In A Moment You Can't Get Out Of
07 Gone
08 Discotheque
09 Staring At The Sun
10 New York
11 I Will Follow
12 Sunday Bloody Sunday
13 The Sweetest Thing
14 Band Intro's
15 In A Little While
16 The Ground Beneath Her Feet
17 Bad
18 Where The Streets Have No Name
19 Mysterious Ways
20 The Fly
21 Encore Break
22 Bullet The Blue Sky
23 With Or Without You
24 One Intro
25 One
26 Everybody Hurts
27 Walk On
Drew's Notes:
I know people may wonder why I did a SBD and an IEM matrix, but believe me, the IEM added a lot to the mix, mainly Adam's Bass, not just the tones, but you can actually hear
the bass notes, which are not present in the SBD. The audience version, hate to say it, isn't that good. If there is a better one out there, please share! The right channel
had a lot of distortion due to having the mic level too high. So I kept the Aud very low in the mix. You can really only tell it is there before and after songs. Great
sounding SBD and IEM. I minimized the click part of the IEM, you have to listen very hard to hear it at the beginning of some of the songs, other than that, non-existant.
The beginning of Elevation has some digi-noise that came from the sbd recording, can't remove it. I did some fades here and there. I did my best to cut down on the screams
from the aud version so it doesn't pollute the recording too much, but if I did anymore, I may as well of not put the Aud in the matrix. I did some EQ on
all sources, overall, great sound! If you are a purist, then don't download or listen to my matrices. I do it for the enjoyment of trying to bring a new and improved
sound to a recording. This is a significant upgrade to the sbd in my opinion.
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