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Geschreven door Richard Bachman, een pseudoniem van dhr King.

Amazon.com
An evil creature called Tak uses the imagination of an autistic boy 
to shift a residential street in small-town Ohio into a world so bizarre 
and brutal that only a child could think it up. It's as two-dimensional 
and gaudy as a kid's comic book, but for this reviewer, The Regulators 
is a gripping adventure tale about what happens when a mind fixated 
on TV (especially old Westerns and a cartoon called MotoKops 2200) runs 
amok. As Michael Collins writes in Necrofile, "[Stephen] King offers 
his readers a glimpse of the true evil of popular culture ... which 
has no design or intent, only an empty need to sustain itself. King 
is, I think, about the canniest observer of what America is, and that 
he generally writes horror ought to give us pause from time to time." 

From Publishers Weekly
Why revive the Bachman byline more than a decade after Stephen King 
was found lurking behind it? Not for thematic reasons. This devilishly 
entertaining yarn of occult mayhem married to mordant social commentary 
is pure King and resembles little the four nonsupernatural (if science-fictiona-
-
l) pre-Thinner Bachmans. The theme is the horror of TV, played out through 
the terrors visited upon quiet Poplar Street in the postcard-perfect 
suburban town of Wentworth, Ohio, when a discorporeal psychic vampire 
settles inside an autistic boy obsessed with TV westerns and kiddie 
action shows and brings screen images to demented, lethal life. The 
long opening scene, in which characters and vehicles from the TV show 
Motokops 2200 (think Power Rangers) sweep down the street, spewing death 
by firearm, is a paragon of action-horror. The story rarely flags after 
that, evoking powerful tension and, at times, emotion. The premise owes 
a big unacknowledged debt to the classic Twilight Zone episode "It's 
a Good Life"; echoes of earlier Kings resound often as well?the psychic 
boy (The Shining), a writer-hero (Misery, The Dark Half), etc. But King 
makes hay in this story in which anything can happen, and does, including 
the warping of space-time and the savage deaths of much of his large 
cast. The narrative itself warps fantastically, from prose set in classic 
typeface to handwritten journals to drawings to typewritten playscript 
and so on. So why the Bachman byline? Probably for fear that yet another 
new King in 1996 in addition to six volumes of The Green Mile and Viking's 
forthcoming Desperation might glut the market. Maybe, maybe not. But 
one thing is certain: call him Bachman or call him King, the bard of 
Bangor is going to hit the charts hard and vast with this white-knuckler 
knockout.