Post Description
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| | | | | | | | r e l e a s e i n f o
: : _\ rippers
: : release no ( 10754 ) \ rating
: : artist (VA
: : title (Exit Records Presents Mosaic Volume One) | 0
: : record label (Exit (EXITCD005) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2011/02/04) | 7|%%%| |
: : street date (2011/02/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
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:.. :..... ... | 1 |%%%| |
: : :.: (22 tracks) (2:10:40 h) (165,0 mb) | `---' |
| | | | | | | | | | | | t r a c k l i s t i n g
nr times track titles
| Exit Records Presents Mosaic Volume One (Disc One)
| 101 4:45 Scuba - In_2_
| 102 6:51 Stray - Pushed
| 103 4:40 Distance - Fading
| 104 6:48 dBridge - Forgot WhatI Needed To Forget
| 105 5:24 Synkro - Open Arms
| 106 5:24 dBridge - Rendezvous
| 107 5:20 Dan HabarNam - Nu Este Roz
| 108 7:33 dBridge - Decayed
| 109 4:51 Consequence - Splinter
| 110 4:36 ASC - Modular Concepts
| 111 8:20 Croms - Invisible Cities
| Exit Records Presents Mosaic Volume One (Disc Two)
| 201 5:29 Commix - City Section
| 202 5:31 Indigo - Time
| 203 6:51 Mode - Stepping Stones
| 204 4:13 Instra mental - Scene 3
| 205 6:41 Skeptical - Another World
| 206 5:24 Skream - Motorway
| 207 8:27 Genotype - Further Searching
| 208 5:20 Code 3 - Chasm
| 209 6:53 Abstract Elements - Essence Of Time
| 210 5:42 System - Observation Point
| 211 5:37 Loxy and Resound - Vertigo
| | | | | | | | | | | | | | | | r e l e a s e n ot e
| | With so much good music arriving in the Exit
| | inbox, it was decided that a various artist
| | project was needed to ensure that it all see
| | the light of day and doesnÆt get caught up in
| | a never ending schedule of singles. As normal
| | with Exit Records, thereÆs no prejudice in
| | the track selection. Well known producers
| | such as Skream, Instra:mental, Scuba and
| | Commix rub shoulders with some inspiring new
| | talents such as Indigo, Synkro, Mode and Code
| | 3. The theme of the album is quality timeless
| | music, whether it be a dancefloor killer such
| | as SystemÆs æObservation PointÆ or Loxy &
| | ResoundÆs æVertigoÆ through to the tangerine
| | dreamlike sounds of CromÆs æInvisible CitiesÆ
| | or StrayÆs æPushedÆ. This album truly
| | represents the more experimental side of Drum
| | n Bass, as opposed to the crash bang wallop
| | that seems to be the only side of Drum n Bass
| | portrayed by the mainstream media today.
| | Hopefully this album will manage to reach the
| | people that thought this forward thinking
| | music was left behind in the nineties, to let
| | them know that itÆs still alive and well, and
| | still capable of throwing up some surprising
| | and unpredictable results.
| | | | | | | | | | | | d i s c l a i m e r
| This release may contain copyrighted material, however SOUR guarantees
| that this material was at least available to one person "on the street"
| and that the possession ofthis material is in no way privileged.
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small
| operation, we have now reached levels of international acclaim.
| SOUR is dedicated to both the availability and promotion of music to the
| public, and our rips are intended to reflect these ideals. Specifically:
| . SOUR is dedicated to the promotion of new music that is currently
| available to buy. If you like something you hear, you are obliged to
| attempt to purchase an original copy.
| . SOUR is dedicated to the promotion of old music that may no longer be
| available to buy.
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass
| worldwide! We provide a service where none is available, specifically in |
|many remote countries where traditional distributors can not afford to
| target. Also, the availability of drum'n'bass in an easily accessible
| form expands the potential for real world sales to people who may not
| otherwise have considered buying drum'n'bass.
| . SOUR is dedicated to the expansion of the online and offline real world
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE
| people to pay to see THEM.
| By accident of today's current real world distribution arrangements, many
| artists will find that SOUR releases IMPROVE their real world sales;
| especially for items only on vinyl. This is the basis upon which SOUR
| operates.
[ sour productions(c) 1999-2011 ]
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