<< MP3 The Residents (unreleased recording) - Baby Sex - (1971)
The Residents (unreleased recording) - Baby Sex  - (1971)
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Category Sound
FormatMP3
SourceOther
Bitrate192kbit
GenreOther
GenreCabaret
GenreDiverse
GenreWorld
GenreClassics
GenreReligious
GenreRock
TypeAlbum
Date 1 decade, 4 years
Size n/a
 
Website http://residents.com/
 
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The Residents (unreleased recording) - Baby Sex  - (1971)

aanvulling op de gigantische collectie van dargo een tijd geleden.

eenvan de eerste opnames:)


Baby Sex is the title of an unreleased recording by The Residents. The title is lifted from the cover, an image of a woman performing oral sex on an infant boy - an image which was lifted from a pornographic magazine from Denmark.

While The Residents are known to be incredibly embarrassed by their early works (and strive to keep them unreleased in their original form) they may be reasonably proud of Baby Sex, as several tracks from this have appeared on compilations. It was also broadcast in its entirety on a radio station in Oregon during a Residents Radio Festival in 1977.

The second half of the album is a studio collage which includes portions of The Residents' impromptu live performance at San Francisco's Boarding House in October 1971. Assisted by Snakefinger and N. Senada they staged a "terrorist attack" on the club, performing for thirty minutes. The album also features a cover of Frank Zappa's "King Kong".

The Residents is an American avant-garde music and visual arts group who have been active since 1969. Their first official release under the name of "The Residents" was in 1972, and since then the band has gone on to release over sixty albums, numerous music videos and short films, three CD-ROM projects, ten DVDs, and have undertaken seven major world tours. Throughout the group's existence, the individual members have ostensibly attempted to conceal their identities from the public, and much public speculation and rumor has focused on this aspect of the group. In public, the group appears silent and costumed, often wearing eyeball helmets, top hats and tuxedos - a long-lasting costume now recognized as their signature iconography. Their albums are often complex conceptual pieces, composed around a theme, theory or plot, and are noted for surrealistic lyrics and disregard for standard Western pop music composition.

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